Sex Scenes: Cut Off the Head of Your Rapist
Artemisia Gentileschi’s ‘Judith Slaying Holofernes’ is a bloody portrait of rage against an unjust system.
Check Out 'Garage' Magazine's Rihanna Photoshoot, By Deana Lawson
And when you're done, read up on the rising photographer.
Making a Fake Instagram Account Can Bring You Back to Reality
Finstagrams—a fake, secondary Instagram account shared only with trusted friends—can help you elude the pitfalls of our too-polished social media era.
Is Stephen Shore the Most Influential Photographer of the 20th Century?
Stephen Shore's triumphant MoMA retrospective surveys the work of a Warholian shutterbug whose lifelong embrace of the medium's vernacular forms has now earned him a healthy following on Instagram.
Making a Fake Instagram Account Can Bring You Back to Reality
Finstagrams—a fake, secondary Instagram account shared only with trusted friends—can help you elude the pitfalls of our too-polished social media era.
Jess Johnson Selects: Platform Games and Obstinate Monsters
In the first of an occasional series for GARAGE, New Zealand-born artist Jess Johnson selects some of the curious and wayward images and image makers that have inspired her practice, from antique allegorical engravings to psychedelic sci-fi comix.
Geumhyung Jeong's Uncanny Performance Pries Sex from Machinery
Geumhyung Jeong’s bewitching performance about the female body and the boundaries between human and machine took on added eerie appeal in Tate Modern's Tanks.
Chicago Architecture Biennial: Not Just Glass Towers and Ruin Porn
While acknowledging our digital present, the Chicago Architecture Biennial's sprawling sophomore installment snubs celebrity and takes a deep dive into history, material, and process.
Frieze London is Feisty and On Point
This year's edition of juggernaut art fair Frieze London finds space to tackle sexual politics, institutional racism, and environmental angst but—customary brain Frieze aside—still manages to leave us feeling upbeat.
Is Peter Halley the Elvis of Abstraction?
'80s titan Peter Halley's current exhibition at Greene Naftali comes with some surprising bells and whistles, but is it anything genuinely new, or a misjudged attempt at an Elvis-style comeback?
At MoMA: What’s Art, What’s Fashion, and What’s Design?
Aimee Walleston looks forward at MoMA’s new fashion-centric exhibition, "Items: Is Fashion Modern?", and back at the exhibition’s predecessor, 1944’s "Are Clothes Modern?"
Takashi Murakami on Fukushima, Instagram, and his Custom Wardrobe
Takashi Murakami, master of the post-anime "superflat" aesthetic, has brought his older work into dialogue with some ambitious new projects, transforming the Garage Museum of Contemporary Art in Moscow—and several other museums—into wild visual playpens.